1 Simpsons and All Fall Down signals.
2 Without microphones.
Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'8912
- '90-'9416
The studio home of each song, from phish.net. Covers count as one slice.
- A Picture of Nectar5
- Lawn Boy5
- Rift5
- Junta3
- The White Tape2
- Covers5
- No studio album3
Shows since each song's previous appearance. A big number is a bustout.
- 1-214
- 3-58
- 6-155
- 51+ · bustout1
Whose songbook tonight drew from.
- Phish original23
- Argent1
- Artie Shaw1
- Foreigner1
- Josh White1
- Neil Diamond1
A typical night, rotation-wise - 1 song shelved 50+ shows.
Gap = shows since the song was last played, at the moment it was played.
Running 8:42, this "Jim" is one of the longest versions to date, and the band capitalizes upon every possible moment. Anchored by typically strong percussion, Trey swings through two separate, yet equally strong runs, his inspired play complimented by great bass and on-point Page.
Versions phish.net's jam charts single out as noteworthy.
Trey teased Oye Como Va in Split Open and Melt. My Sweet One contained Simpsons and All Fall Down signals. Long Train Runnin' was teased in David Bowie. YEM included a Buried Alive tease from Trey. Before Sweet Adeline, Trey asked the audience for their help, as Phish was attempting to perform an a cappella number in their largest venue to date. Afterwards, he remarked that he’d like to see Metallica try that! Adeline was performed without microphones.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.
Takin' It to the Streets