1 Vocal jam.
2 Acoustic; without microphones.
3 Without microphones.
Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'897
- '90-'9414
The studio home of each song, from phish.net. Covers count as one slice.
- A Picture of Nectar5
- Hoist5
- Junta1
- Lawn Boy1
- Rift1
- The White Tape1
- Covers3
- No studio album4
Shows since each song's previous appearance. A big number is a bustout.
- 1-27
- 3-513
- 6-151
Whose songbook tonight drew from.
- Phish original18
- Artie Shaw1
- Hot Rize1
- Norman Blake1
A greatest-hits night - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
"Stash" starts off '94 in a jarring, intense manner, seems to peak, then breaks into a 2nd, really excellent improvisational section.
Trey is just ON FIRE! A thrilling, albeit straight-up "Type I" version.
Awesome and very unique version in which the 1st jam is the centerpiece of the improvisation. The jam slips away from typical "Mike's" into a repetive motif, which then breaks into nice melodic play that grows increasingly tense. Then the jam picks up a rocking head of steam. The 2nd jam adds color with great "Tweeprise"-like jamming. A kick ass version for a surprisingly mediocre year for "Mike's."
Versions phish.net's jam charts single out as noteworthy.
Weekapaug contained a vocal jam. Ginseng Sullivan and Nellie Kane were performed acoustic and, along with Sweet Adeline, without microphones. This show was originally scheduled for The Palladium and was relocated at the last minute due to damage to that venue from the previous evening’s New Kids on the Block concert.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.