1 No whistling.
2 Unfinished; with verse of Abba's Waterloo.
3 John Popper on harmonica.
Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'897
- '90-'946
- '95-'004
The studio home of each song, from phish.net. Covers count as one slice.
- Billy Breathes3
- A Picture of Nectar2
- The White Tape2
- Lawn Boy1
- Rift1
- Covers3
- No studio album5
Shows since each song's previous appearance. A big number is a bustout.
- 1-26
- 3-57
- 6-153
- 16-501
Whose songbook tonight drew from.
- Phish original14
- Led Zeppelin1
- Norman Blake1
- The Beatles1
A greatest-hits night - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
"Plinko" play from Trey, periodically offset by strumming, jumpstarts the jam, and works to create incredible syncopation. Predictably great guitar is matched by Mike, with the two musicians not so much dueling, as driving the version through any number of impressive ideas and rhythmic shifts. Great and unpredictable improvisation follows, with all four members contributing in equal measure, as if exacting a singular vision.
THRILLING jam!
Red hot, strong, compact, and unusual second set opener, Fish, direct from the vocals, drives strong and Impassioned play, the four Creating a controlled cacophony (typical fare for the year), with Mike holding some great notes and igniting great patterned play, page Pounding his keys before Trey alights on a riff which rises to break free to inform incendiary soloing. Play gets really cool as the band drives to a false peak and the jam becomes demented, an extended passage of "not at all what's expected,'" before the traditional spirited release -> into "The Lizards."
1995's most exploratory, improvisational version. One of the "Antelope" clan which weaves back and forth between familiar ground and improvisation. The jam here gets out into some spacey and eerie Summer '95-style territory.
John Popper on harmonica. -> in from "Harpua," during which Jimmy decides he hates the band Abba, and needs to listen to some rocking harmonica music, which is precisely what this jam is. -> to "Llama."
Versions phish.net's jam charts single out as noteworthy.
Reba did not have the whistling ending. Harpua was unfinished; Jimmy played an Abba record (which led to a verse of Abba’s Waterloo), decided that he hated Abba and thought that maybe a little rocking harmonica would tighten it up. John Popper then came out for to play harmonica on a jam that led into Llama. Llama and GTBT also featured John Popper on harmonica. It's Magic was part of the soundcheck's My Sweet One Refrain Medley.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.
Blues Jam > Goin' Down Slow > Heartbreaker, Nellie Kane, My Sweet One > My Sweet One Refrain Medley > Ring of Fire, Acoustic Army