Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'895
- '90-'945
- '95-'004
- '09-'143
- '15-'192
The studio home of each song, from phish.net. Covers count as one slice.
- Fuego2
- The Story of the Ghost2
- Billy Breathes1
- Farmhouse1
- Joy1
- Rift1
- The White Tape1
- Covers5
- No studio album5
Shows since each song's previous appearance. A big number is a bustout.
- 6-155
- 16-5011
- 51+ · bustout1
Whose songbook tonight drew from.
- Phish original14
- Lee Dorsey1
- Midnight Mass of 1847 in Roquemaure1
- Norman Blake1
- The Beatles1
- Tom Waits1
Rarer than most - 2 songs shelved 50+ shows.
Gap = shows since the song was last played, at the moment it was played.
Baker's Dozen Hole-themed "Meat" - dropped as means to further develop the first set's "morbid" milieu - takes a humorous turn when, from deep within the silent section, Fish jumps the band and butchers the beat. This miscue unearths a slow sort of zombie stomp, which, rising from a bit of primordial ooze, assumes a life of its own. Inventive soloing from Trey, and super contributions from Page, slowly bleeds into "Maze."
After a conventional first jam, this longest version since '96 (until being surpassed by 8/4/23) transitions in the back-in-the-day typical way (i.e., after the "tramps segment closing chords" are played) to a Second Jam that is anything but typical. The lengthy exploration peaks triumphantly at minute 20 and segues into "O Holy Night" of all things after a brief foggy outro.
"Taste" gets its first true jam, and it's a doozy, too. Darker-than-usual jamming leads to a lovely shift to major-key blissfulness, Trey's chord playing giving the jam some real warmth. The music shifts to more powerful, if still low-key rocking out, Page's piano at the forefront, then builds to a superb finish. Dies out and > into a superb "Wingsuit".
> from a huge "Taste" to cool a historic "Mike's Groove". While the version slowly builds with customary intensity, Trey (6:00) enters a passage of excellent inward play before joined by Page. This develops into pointed, inventive, and, for "Wingsuit", unusual full-band improvisation, before yielding to a strange, restrained, conclusion. > "Sally".
Versions phish.net's jam charts single out as noteworthy.
This show was night ten of Phish's Baker's Dozen run at Madison Square Garden and had a donut hole theme. Donut holes with a peanut butter chocolate dust were given to fans arriving at the venue. This show featured the Phish debuts of Way Down in the Hole and O Holy Night. Mike teased Do You Feel Like We Do before Guyute. Page teased Rhapsody in Blue at the end of Weekapaug Groove.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.