Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'893
- '90-'943
- '95-'003
- '03-'041
- '09-'141
- '15-'192
- '20-now1
The studio home of each song, from phish.net. Covers count as one slice.
- Big Boat2
- Hoist2
- A Picture of Nectar1
- Billy Breathes1
- Get More Down by Sci-Fi Soldier1
- Junta1
- Lawn Boy1
- The Story of the Ghost1
- The White Tape1
- Covers3
Shows since each song's previous appearance. A big number is a bustout.
- 3-55
- 6-155
- 16-504
Whose songbook tonight drew from.
- Phish original11
- Trey Anastasio2
- TV on the Radio1
A typical night, rotation-wise - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
Loose intro with Trey entering on lead vocals sans Fish, while the outro bends the usual structure by downshifting into a more group-oriented jam before gaining intensity and peaking with some snarling guitar leads.
Despite some tuning issues in the composed section, the band ultimately delivers the second massive "Theme" of '22. The usual soaring play giving way around 6 min as Trey shifts to a more rhythmic approach and Page adds some crunch on the clav. The jam, gaining momentum, grows darker propelled by Mike's aggressive lines and Fishman's deft cymbal work as Trey's tone becomes grittier. Page moves back to piano and around 11 min the band modulates to a brighter space with Trey continuing to adjust his sound. Play then turns atmospheric under the influence of Page's synths and Mike's bass effects before > to "Reba".
Big set 2 opener that retains a steady, unhurried pace throughout. The band patiently books along, executing several modulations and subtle changes to the groove with Page and Trey's locked-in textural interplay standing out. The jam gradually builds in intensity, eventually arriving at an emphatic closing section full of energetic and dexterous Trey peaks.
Flirts with a few blissful passages in the first half, but at 10:45 this version locks into a propulsive, heavy jam with Trey pouring on a bevy of punishing riffs, and then wraps up with a final cimb interspersed in the traditional closing.
Powerful and frenetic version that tears through MSG to end a massive second set. Fishman and Mike develop a forceful, driving rhythm as Page envelops the music with cascading synthesizer and electric piano textures. Atop this, Trey cycles through his rig and spits hellfire from his guitar, peeling the paint off the walls with nuanced sonic intensity.
Versions phish.net's jam charts single out as noteworthy.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.