1 Lyrics changed to "Been you to have any slush?"
2 Unfinished.
Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'896
- '90-'945
- '95-'005
- '09-'141
The studio home of each song, from phish.net. Covers count as one slice.
- The White Tape2
- Billy Breathes1
- Hoist1
- Junta1
- Rift1
- The Story of the Ghost1
- Covers5
- No studio album5
Shows since each song's previous appearance. A big number is a bustout.
- 3-55
- 6-159
- 16-501
- 51+ · bustout2
Whose songbook tonight drew from.
- Phish original12
- Trey Anastasio3
- New York!1
- The Velvet Underground1
Rarer than most - 2 songs shelved 50+ shows.
Gap = shows since the song was last played, at the moment it was played.
Aggressive clav playing from Page while Trey plays an assortment of rhythmic riffs and Mike holds the tight groove together.
Serious tension, dissonance, and rhythmic change-ups combine to distinguish this very good version from most 3.0 ones.
Breaks into some great stop/start jamming. Fish keeps it crisp and clean.
"LA Woman" teases and an excellent moving jam with rhythmic shifts and Page on multiple keyboard instruments.
Versions phish.net's jam charts single out as noteworthy.
Throughout the first set the band was using charades to communicate what song was coming next, prompting Trey to remark after Jibboo, “We do everything by hand signals now. There’s no more talking.” After PYITE, Trey again referenced the hand signals, joking “That could be one of two songs, so we’ll see if he starts the right one.” During Antelope, Trey changed the lyrics to “Been you to have any slush?” Disease contained an L.A. Woman tease from Trey, who also briefly teased Taste just before beginning Free, and was unfinished. Esther was played for the first time since September 30, 2000 (89 shows). Hood featured Dirt and Free teases from Trey.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.
Sugar Shack