1 No whistling.
2 Bill Kreutzmann on drums.
Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'896
- '90-'944
- '95-'007
- '09-'144
The studio home of each song, from phish.net. Covers count as one slice.
- Billy Breathes3
- Joy2
- Lawn Boy2
- Round Room2
- The White Tape2
- Hoist1
- Undermind1
- Covers7
- No studio album3
Shows since each song's previous appearance. A big number is a bustout.
- 3-512
- 6-157
- 16-503
- 51+ · bustout1
Whose songbook tonight drew from.
- Phish original16
- Trey Anastasio2
- Page Mcconnell1
- Stevie Wonder1
- Strauss, as interpreted by Deodato1
- Traditional1
- Ween1
A typical night, rotation-wise - 1 song shelved 50+ shows.
Gap = shows since the song was last played, at the moment it was played.
Dynamic and improvisational version that includes a "Twist"-esque jam and "Oye Como Va" tease from Page. The sentiment is very positive and upbeat (again). Must-hear for any 3.0 nay sayers.
Fantastic -> into an excellent "Undermind" with Bill Kreutzman.
The addition of Bill Kreutzmann leads to one of the funkiest versions of the 3.0 era. The second jam will punch you in the face.
Versions phish.net's jam charts single out as noteworthy.
Reba did not have the whistling ending. Undermind through Zero featured Bill Kreutzmann on drums. Before the encore, Trey explained that Bittersweet Motel was being played at the request of his daughter, Bella. After Bittersweet Motel, Fish remarked that he felt lonely again and needed the second drummer back.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.